from Meeting Dad by Brian Russell

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Meeting Dad

I held the small, blue piece of paper in my hand. In my mother’s instantly recognizable cursive, I read the name Bob Jaycox and his address in Puerto Rico. Puerto Rico? I thought. What an exotic place. Below the address in Mom’s left-handed slanted script were ten numbers. Ten numbers that might end eleven years of estrangement from my father.

I dialed zero.

The operator answered, and in as strong a voice as I could muster, I began, “Yes, I’d like to make a person-to-person collect call.”

“What number sir?”

I gave her the number.

“For whom are you calling?”

“Bob Jaycox.”

“And who shall I say is calling?”

“Brian Weston Russell.”

I used my middle name because I was afraid he might not know who I was if I simply said Brian Russell.

After a moment, the phone began to ring.

A woman with a strong Southern accent answered. The operator droned, “I have a person-to- person collect call for Bob Jaycox from Brian Weston Russell. Is Mr. Jaycox available?”

Silence.

The lady with the accent stammered, “Yes, uh, yes he is. Will you hang on a minute?”

“I’ll hold,” the operator replied in her detached voice.

A few seconds later, I heard a voice say, “This is Bob Jaycox.”

The operator repeated her spiel, and after the briefest of pauses, he said, “Well, I surely will!”

The operator told me that we were connected. Indeed, after all this time, we now were.

–Brian Russell,
Meeting Dad
Accents Publishing

More from Meeting Dad and Brian Russell:

Brian RussellBrian Russell spent more than 20 years working in the theater as a director and producer of plays, musicals, and operas before shifting his focus toward writing. He was artistic director of Chicago’s American Theater Company from 1997-2002, where he directed more than a dozen shows. In 2007, he graduated with honors with a BGS from Roosevelt University, where his short story, “Rutherford” won the first Annual Keenan-Kara Writing Award. In May 2010, he graduated from Spalding University’s brief residency MFA in Writing Program. His prose, poetry, and critiques have recently been published at Public Republic and at the review review.

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