Author Archives: Christopher McCurry

About Christopher McCurry

Christopher McCurry teaches high school in Lexington, Kentucky and is the author of Splayed (ELJ Publications 2014), a book of love poems. He's working on a Masters Degree in English Literature, thanks to a fellowship from the CE&S Foundation, at the Bread Loaf School of English.

AWP 2014 Highlights

Christopher, James, and Haley at the Accents boothThe Hotel Room

The Accents crew (Haley Crigger, James Pfeiffer. and Christopher McCurry) shared a room with Two of Cups founder and editor, Leigh Anne Hornfeldt, an editor of Vantage Point (Centre College’s undergrad literary journal), and writer Eduardo Ballestero. The Westin Seattle rooms were spacious with a king size bed, pullout couch, and lots of floor space.The sleeping arrangements? A kind of sparse, military-style round-robin. Believe  it or not, there were no fights for the bathroom, but showers did start as early as 5am.

The City

Having gotten lost in the city on the first day of the conference, we saw more of it than we might have otherwise. We all loved the hills and how they rolled toward the water as something reminiscent of Kentucky.

We ate at the Space Needle as it rotated to give a 360 degree panorama of the city: the Puget Sound, the sparkling cityscape, the dark looming mountains. Pike Place Market by the water was lively with alcoves of restaurants and bars.

We rode the monorail and the light rail. The city was bright and clean around us.

The Accents TableThe Accents Booth

Our booth was well situated for lots of foot traffic and that kept us busy talking about the press, our chapbook contest, and selling books. The support for Accents was overwhelming and humbling. We shared space with Wave Books and university presses. Our authors stopped by for photos and signings, hugs and laughs. We saw Lori A. May, Matt Minicucci, Patty Paine, Sarah Freligh, and Greg Pape. Other notable events: someone took a picture of James’ hair without permission; Haley found an admirer who claimed to throw the best parties; Chris temporarily lost the ability to speak English.

The Book Fair

Was just as rowdy as you imagine with tons of people, books, and swag. Everyone has a different strategy. Chris targeted several journals and presses. Eduardo made two full passes through the entire fair and approached any booth that said “review” (or had free stuff). Others frequented the same booth several time to get to know the editors and interns.

The  Annual AWP, Raise Your Snaps High, Post Poet Prom, Hotel Room Reading Series brought to you by Evan Williams sponsored by Coca-Cola at the Westin Seattle with Pretzel Facing hosted by Haley Crigger (invite only)

While we didn’t actually receive any corporate sponsors for our hotel room reading, for the second AWP in a row, friends of Accents have had an intimate reading of poems after winding down from the hustle of the book fair and dash of the readings and parties. This year we took turns hosting rounds. Each new host had to introduce the readers in whatever way they saw fit: Beyoncé lyrics, extended metaphorical ramblings, honors and achievements and feats of strength. The poems and laughs were refreshing and energizing for the final day of AWP.

Readings/Panels/Parties

Don’t get me wrong, sleep was a priority, but we all made time to experience the festivities. The Field Office Reading with Ada Limon, Ross Gay, Curtis Bauer, and Marcus Wicker blew us away. The Sarabande “Roaring ’20s” Party packed a punch, and hearing Sharon Olds read on the last night was at once sweet and bitter, challenging, and inspiring.

Accents can’t wait until next year.

Vertigo by Marta Dorton

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Marta Dorton earned a BA in Art Studio, emphasis in Painting from the University of Kentucky. Her painting process involves scraping layers of Liquitex acrylic paint onto canvas with a squeegee. She seeks to feel small on the Earth, to understand her place in the vast order of life and time, to feel relevance in the midst of nature’s enormity. Family and land are elements that run deep in her heart and artwork. Kentucky is a commonwealth of great variety and beauty. The colorful and changing landscapes have played an important role in the art she creates.

Each week we will post artwork submitted to Accents in hopes that you are inspired to write and share.

If you are interested in submitting please send several images or scans of your art to christopher.accents (at) gmail.com with a 50 word or less bio and titles for your pieces when applicable.

Eternity Girl by Journey McAndrews

Eternity Girl

Journey McAndrews is a writer, editor, journalist, educator, and social justice activist. She holds a BA in English, Communications, and Women’s Studies (Creative Writing minor), an MA in Communications (Creative Writing minor), and is an MFA candidate at Spalding University in Louisville (Poetry and Creative Nonfiction). Her work has appeared in ninepatch, Motif, LILOPOH Magazine, New Verse News, Inscape, Kentucky Monthly, Story Magazine, and numerous newspapers. She is currently a Writing Mentor at the Carnegie Center in Lexington, Kentucky, the recipient of a 2013 Artist Enrichment Grant from the Kentucky Foundation for Women, and is working on several poetry and creative nonfiction projects.  

Each week we will post artwork submitted to Accents in hopes that you are inspired to write and share.

If you are interested in submitting please send your art to christopher.accents (at) gmail.com with a 50 word bio.

Photography: Rebecca Thomas

R. Thomas (6 of 9)

Rebecca Thomas graduated with a BA in Art Studio with an emphasis in photography from the University of Kentucky. She‘s inspired by finding traces of the human footprint, abandoned for nature to reclaim, and by what people choose to leave behind and how the earth reclaims the scraps.

Each week we will post artwork submitted to Accents in hopes that you are inspired to write and share.

If you are interested in submitting please send your art to christopher.accents (at) gmail.com with a 50 word bio.

Hills and Valleys: Marta Dorton

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Marta Dortion earned a BA in Art Studio, emphasis in Painting from the University of Kentucky. Her painting process involves scraping layers of Liquitex acrylic paint onto canvas with a squeegee. She seeks to feel small on the Earth, to understand her place in the vast order of life and time, to feel relevance in the midst of nature’s enormity. Family and land are elements that run deep in her heart and artwork. Kentucky is a commonwealth of great variety and beauty. The colorful and changing landscapes have played an important role in the art she creates.

Accents Publishing is happy to feature the work of Marta Dorton on our new blog feature. We want to combine visual and written art. Each week we will post artwork submitted to Accents in hopes that you are inspired to write and share.

If you are interested in submitting please send several images or scans of your art to christopher.accents (at) gmail.com with a 50 word or less bio and titles for your pieces when applicable.

Accents is Looking for Writing Prompts

chris_mccurry_awp13Accents Publishing invites you to submit your photography and artwork to be featured on the Accents Publishing Blog to serve as potential writing prompts during 2014.

Please send an attachment for consideration in an email to Christopher.Accents (at) gmail.com.

In the body of the email let us know the title (if any) and provide a 50 word bio to include in the post.

As for what we are looking for: we want images that inspire us to act, to write.

Note from the editor: As a practice round, why not use this beautiful picture of our handsome Junior Editor, Christopher McCurry, as some inspiration. For our writing prompts, just post a poem in the comments section or simply leave some words of encouragement. Thanks so much!

Momentum is so much stronger than talent: an interview with Bronson O’Quinn

Bronson O'Quinn Bronson O’Quinn is everywhere. He is basically the internet and every cool person you have ever met. As blog Editor in Chief and intern for Accents Publishing, his posts have been in your house, on your phone, at your work. I think it is time you learned a little bit more about the ubiquitous Bronson O’Quinn.  

Why don’t we start with a little bit about Bronson the man. Who are you and what do you do when you aren’t writing, editing, posting and commenting on the Accents Publishing Blog?

I have a degree in English because I love the written word and a degree in linguistics because I love it spoken, too. I have been actively involved in the local literary scene for a few years now, but never to the extent that I am now. I quickly discovered the best way to learn is to help, so I’ve converted a thirst for knowledge into an interest in philanthropy. Mostly, I want to be able to print, bind, and publish the books that I personally write, but until my writing gets up to snuff (too many clichés, you see), I will continue to help hardworking artists whose work I admire.

I also enjoy good conversation and bad karaoke. I’m pretty outgoing, which tends to surprise folks. I think it’s because people expect extroverts to mug for attention. And don’t get me wrong, I love my time in the spotlight. But when my time’s over, I’m thrilled to pass the mic. After all, when you’re not on stage, you’re in the audience. And that’s half the fun.

What drew you to Accents? What made you say, “I’d like to dedicate my time to this particular press.”

Watching Katerina’s enthusiasm for and dedication to the poetry community really changed how I viewed the writing world. It had never occurred to me how much one person could make a difference in so many peoples’ lives. So when Katerina made the post asking for interns, I posted my CV an hour later. It wasn’t something I had to think about.

And this may sound shallow, but Accents makes pretty books. They’re hand-made but don’t look it, which is far more difficult to accomplish than you’d think. The textures are nice. The colors catch your attention without overwhelming your senses. There’s an elegant simplicity to the design that I admire. Sure, they aren’t the most jaw-droppingly beautiful books I’ve ever seen, but they aren’t trying to be. They’re not stressing the expensive, designer labels. They’re having a blast dressing from the thrift shop. For a bibliophile like myself, Accents Publishing’s books are the “girl next door.” Sorry if I just made this weird.

Tell us about the work you do as Editor in Chief of the Accents Publishing Blog.

I write for and run the blog. During Lexington Poetry Month, I formatted and posted everyone’s submissions onto the blog. Once June ended, I found myself with too much time on my hands, so I’ve been reaching out to local poets and figures in the literary community for writing prompts and interviews. I want to help the community, but most of the work I do is because I want to. I don’t want to pretend that I’m completely selfless, or anything. But rather than ask “How can this help me?” I like to ask “What would I want to see?” And as far as the Accents Blog is concerned, that means putting up content that generates discussion. That’s really what I’m excited about in the upcoming weeks.

Bronson reads at the Lexington Poetry Month gathering at the end of June 2013.

Bronson reads at the Lexington Poetry Month gathering at the end of June 2013.

What can we look forward to in the coming weeks and months and years of the blog? Or even just with your collaboration with Accents?

I don’t want to give too much away, but I really want to encourage participation from Accents fans. The weekly writing prompts are an example of that. We also had a giveaway for Nettie Farris’s new chapbook, Communion, which was exciting, so I’d like more stuff like that.

But also, creating original and interesting content is important. We post a lot of Accents’ poems, which are great, but not really what the internet is designed for. We want to hear more from the readers. Accents Radio is awesome as far as learning about new artists and what’s happening around town. The blog shouldn’t be Accents trying to make noise, but rather a series of sparks igniting action bigger than us. Katerina inspired a lot of people with Lexington Poetry Month. I’m more concerned with what comes from that inspiration.

What have you learned so far from working on the blog?

I appreciate poetry more than I ever did. Loving language means experiencing it in all of its forms, and I had kind of passed poetry off as this one particular thing they teach you in school. And it’s not that. Not always, at least, and because I have to read so much poetry to post to the blog, I end up finding new definitions for what poetry can be.

But also, seeing the Lexington poetry community rise up the way it has… It’s really inspired me, both in my work but in life as well.

Tell us about your own work, your own writing. Don’t you have a published novella?

I write prose, mostly fiction. I strongly believe that a writer writes, so I spend a lot of time writing stories that will never see the light of day.

My novella, Dr Recluse, was an exercise in self-publishing that I am pretty embarrassed about. It’s hard to understand how gaining distance from one’s work is so important until you “perfect” a novel by combing through it 20 times in four days only to create something as legible as a first draft. Stephen King said you need to stash away your manuscript for six weeks before taking another look at it. I believe there’s truth to that. It took me nine months to write it and a week of editing it to make gobbledygook. It also helps to have beta readers, a professional story editor, a copy editor, and proof readers. Anyone who thinks writing is a solitary craft is doing it wrong.

What does Bronson O’Quinn’s future look like?

It’s hard to say. I have honestly made more progress in my literary career on a whim than I ever did through serious planning, so I’ll see where it goes. I just hope to create things that inspire, help my community as much as possible, and always have a third option when making lists.

Do you have any advice for aspiring bloggers and writers?

Sylvia Plath said, “The worst enemy to creativity is self-doubt.” And most self-doubt comes from nay-sayers or (even worse) the fear of other peoples’ doubt. I think a lot of it has to do with writers thinking too much about what other people will say or the consequences of their creative actions or some other self-conscious nonsense. To that extent, I would like to mesh a popular ad campaign for shoes with words from a fictional space Muppet: “Don’t think; do.” Momentum is so much stronger than talent. If you have both, nothing can stop you.

Parting words?

Merrily, merrily, merrily…

Literary Term of the Week: Syntax

Syntax, the arrangement of words and phrases to create sentences, needs to be just as intentional as the words we choose.

We have 5 structures to choose from:

Simple
Compound
Complex
Compound-Complex
Fragments

These control the pace and the release of information.

We can modify these sentences using phrases and clauses.

Prepositional phrases
Appositive phrases
Noun clauses
Adjectival clauses
Adverbial Clauses

These supply additional information and clarify who, what, when, where, why.

Sentence can be declarative, interrogative, exclamatory and imperative.

Since sentences rarely travel alone, there is the interaction among sentences to consider.

To practice:

Write a poem using only a simple sentence. Then rewrite that sentence 10 times, each time using a different combination of structures, phrases, types.

Make sure to break the rules some.

Literary Term of the Week: “Metaphor”

Each week, Accents Junior Editor Christopher McCurry provides a Literary Term of the Week. Following a description of the term, Christopher invites readers of the Accents Blog to write a poem prompted by the week’s term.

Sometimes words fail us.

Metaphor makes it possible to communicate despite our inability to translate our ideas and emotions into words.

We compare in order to understand, to yoke together, to bridge the gap.

Our brains, constantly seeking to make sense of life and the information it receives, naturally makes these connections. They come out effortlessly in our conversations as simile, metonymy, and analogy.

As writers we want to find striking metaphors.

Try this:

If you had to spend the rest of your life as an inanimate object, what would it be? Why? Try not to simply personify the object, but to compare the similarities as you explore what draws you to that object. Title it: My Life as a _________________.

Literary Term of the Week: “Diction”

As a brand new feature, Accents Junior Editor Christopher McCurry will provide a Literary Term of the Week. Following a description of the term, Christopher invites readers of the Accents Blog to write a poem prompted by the week’s term.

Diction, also known as the author’s word choice, has three qualities:

  1. Lyrical: the sound of the word
  2. Denotative: the dictionary definition of the word
  3. Connotative: the imaginative, emotional, cultural and implied understanding of the word when used in the context of a given situation.

As a writer, you must balance the three, be precise but understand the layers of meaning built into each word, and keep the sound of them in mind as you work.

Tips and Tricks:

  • It’s usually not wise to sacrifice denotative or connotative for lyrical qualities unless you are Edwin Morgan.
  • Deciding whether a word seems positive or negative can be the first step to understanding its connotative qualities—for example, skinny vs. thin; childish vs. childlike.
  • If you don’t know the dictionary definition of a word, it’s likely you don’t understand its connotative qualities.
  • Words that are more than one part of speech can do double sometimes triple duty.
  • The more words you know, the more fun you can have.

Exercise:

Use the following six words in a poem, considering how they work together. For the ambitious: use the six words for the last words in the line of a sestina.

Lance        Plume

Brother      Gray

Weather    Snare