Lynnell Edwards recently talked with Accents intern James Pfeiffer about her new book, Kings of the Rock and Roll Hot Shop (or, What Breaks?), as well as the relationship between "production arts" (like glass blowing) and writing.
How did you first become interested in glassblowing?
I was first exposed to glass blowing when Steve Powell started the program there at Centre in the mid-80s, but I didn't study it at the time. Many years later, I met Brook White, the founder of Flame Run when I did a series of creative writing workshops at galleries in Louisville. We did a session at Flame Run and Brook talked to us a little about the process. Brook is an incredibly informed and passionate guy when it comes to glass blowing and his energy and his vision for glass blowing as a way of thinking about life totally inspired me as to the potential for exploring glass blowing and life in the hot shop as a subject for poems. During that workshop I wrote a couple of very short poems that unlocked, for me, what I thought might be some of the potential for the subject. Shortly after that workshop I approached Brook about whether he'd be open to my sitting in, observing, and writing some poems; I shared the short work I had done at that point and he trusted me enough to invite me into his world.