Tag Archives: bianca spriggs

Circe’s Lament: Anthology of Wild Women Poetry

Edited by Bianca Spriggs and Katerina Stoykova-Klemer

Circe’s Lament is an exciting new anthology of poetry about wild women. Poets from around the world have contributed narratives and given voices to an amazingly diverse female cast—women who neither flinch nor apologize, and who mesmerize us generation after generation with their strength. We invite you to welcome the wild into your home with this anthology.

What others say about Circe’s Lament

Circe’s Lament collects work by some of the best poets writing today—from Ellen Bass to Frank X Walker—in celebration of the wild feminine: the fierce, the furious, the bruised and battered, the hilarious, the mythical, the stereotypical, the fairytale turned inside out. Here you’ll find Miss America and Janis Joplin, Barbie and Medusa, along with—in Nickole Brown’s stunning and tender homage—a grandmother who can cuss up a storm and uses “fucker” as a term of endearment. The women in these poems behave in the most unladylike ways—swearing, sexing, drinking, dancing, hitting back, running away, bleeding, broke and broken. But just when you might start to think this celebration of “the bad girl” is veering toward romanticizing her, comes a poem like “The Girl,” by Linda Casebeer—as heart-breaking and frank and true a poem about being young and female and vulnerable and tough as I’ve ever read anywhere. Read it and weep. And be grateful for the work these editors have done to bring these voices to us.

Cecilia Woloch

Circe’s Lament is a collection of powerhouse poems by women that make you want to get down and growl. These aren’t poems for the faint of heart or the bashful. These are poems for the she-wolves. These are poems for the brazen hussies. These are poems for the wicked, the loud-mouthed, the ballsy, and the big-hearted. Lean in and listen closely. They’ll teach you how to bite.

Ada Limón

Authors

tina andry, Britt Ashley, Stacey Balkun, Makalani Bandele, Bianca Bargo, Ellen Bass, Roberta Beary, Elizabeth Beck, Lauren Boisvert, Roger Bonair-Agard, Nickole Brown, Elizabeth Burton, Greg Candela, Linda Casebeer, Sherry Chandler, Sharon L. Charde, Lucia Cherciu, Elizabeth Cohen, Star Coulbrooke, Barbara Crooker, Lucille Lang Day, Nancy Diedrichs, Joanie DiMartino, Laurel Dixon, Teneice Durrant, Meg Eden, Lynnell Edwards, Marta Ferguson, Ruth Foley, Sarah Freligh, Karen L. George, Kate Hadfield, Ellen Hagan, Gwen Hart, Lisa Hartz, Sheryl Holmberg, Karen Paul Holmes, Hope Johnson, Julia Johnson, Susan Johnson, Amanda Johnston, Marilyn Kallet, Penelope Karageorge, Diane Kendig, Karen Kovacik, Shayla Lawson, Emily Leider, Marsha Mathews, Andrew Merton, Teresa Milbrodt, Pamela Miller, Holly Mitchell, Maria Nazos, Sheryl Nelms, Jeremy Paden, Julia Paganelli, Tina Parker, Catherine Perkins, Kiki Petrosino, Sosha Pinson, Carol Quinn, Hila Ratzabi, Nicholas Samaras, Leona Sevick, Hilary Sheers, Dan Sicoli, Joan Jobe Smith, Bianca Spriggs, Alison Stone, Katerina Stoykova-Klemer, Victoria Sullivan, Mariahadessa Ekere Tallie, Sheree Renée Thomas, Jessica D. Thompson, Alison Townsend, Rosemerry Wahtola Trommer, Elsa Valmidiano, Frank X Walker, Amy Watkins, Patricia Wellingham-Jones, July Westhale, K. Nicole Wilson, Laura Madeline Wiseman, Debra Woolley, Jessica Wright, Katy Yocom

From the Preface

Women who break stereotypes and societal expectations continue to thrill our imaginations with how they did it. How did these women manage to balance their gender, sexuality, and power? Where did they find the strength to shoulder the consequences of rejecting the expectation of how women should behave? What do we continue to learn from the stories we tell one another of these icons, characters, and legends? What does a woman sacrifice in order to come into her own power? What does she mourn? What does she celebrate? This anthology seeks to answer these questions by highlighting the legendary, the local, the familial, and the self. It also explores the bigger question: Why do audiences continue over the ages to be spellbound by women who challenge and complicate convention?

Circe’s Lament should certainly not be read as comprehensive in terms of the narratives we chose to highlight, but rather treated as a summoning, as a kind of welcome table. We hope that as you read through this host of poetry about wild women—from the classic to the contemporary, from the legendary to the little-known—you’ll get the sense from their collective narrative that no woman ever needs to feel alone or exiled. It is our hope that you will read and celebrate, not just those highlighted in this collection, but all of the bold, bright, wild women in your own life.

—The Editors

Cover photo by Nadezda Nikolova-Kratzer

“Orfeu Negro” by Bianca Spriggs

How Swallowtails Become DragonsOrpheus returns
from the Hades Carnival
alone and empty-handed,
only to spend another life cycle
below ground seeking an entry
to the underworld and for his beloved’s
satyr-harried specter drifting always
beyond his reach.

He wanders, his acoustic alive
in his hands; he strums and tongues
the type of love that would raise the dead,
were their ears not stoppered
by the droning of their own regrets.

Orpheus would die if he could
in this unending sepulcher.
He floats on his back in the watery ether
of the Acheron, alongside bouquets
of Persephonean black orchids
waiting for destiny’s lottery to select
him again for some new light.

Again, he endures a womb,
a soaked and traumatic birth,
suckling and swaddled at the brown,
freckled breast of a woman
who has never heard of Hades.

Orpheus is reborn and reborn
and reborn, until the name Eurydice
becomes merely another lyric in his song.

“Werewolf” by Bianca Spriggs

SwallowtailsI’m either a werewolf or I’m crazy, but I’m not boring
– Anonymous Graffiti, Ohio University

At the climax of a lunar cycle,
a poem stirs,
dark tempest in my chest.

It cracks my ribs to get out.

Aroused, the poem is
certain it smells blood,
grows teeth and hunkers over
paper like meat.

The poem flees my fingers,
desperate to hold it,
and snaps at shadows
cast like dice by the moon.

I do not bother arming myself
with anything plated in silver.

Once it runs loose,
there is no accounting
for every howl and bite.

There is no accounting
for every person it will turn.

-Bianca Spriggs,
How Swallowtails Become Dragons
(Accents Publishing)

The Kentucky Poetry Festival

Kentucky Poetry FestivalToday marks the beginning of the Kentucky Poetry Festival, sponsored by the University of Kentucky’s MFA in Creative Writing. The festival includes a variety of events, including an ekphrastic poetry contest, a poetry slam, and various readings.

You can view the full list of events by clicking here while links to the Facebook Event pages are below.

“Slow Dance” by Bianca Spriggs

I imagine the dying wasp is actually pirouetting along the rim
of her next life, and not this step. For days now, I have watched
her charge every window pane on the top floor, only to fall here.
And because she is a wasp and I was afraid of her sting,
I let her alone, hoping someone else might upturn a palm
or scrap of paper to usher her back into light and life.
I should not be surprised. This is a place where critters come to expire.
Last year, a moonrat upped and died in our kitchen wall.
And later, a bat found its way into the mousetrap alongside
the same wall. Someone threw its petrified body out
with the week’s garbage. I step over the wasp, not quite willing
to step on her because her life is yet propelled, however like
an automaton’s, by breath and whatever still throbs beneath
her exoskeleton. Does she curse me as my sole’s shadow falls
across her brink? Does she wish upon me bad karma for not sending
her sooner into nextlife? Was she the moonrat all along, and later
the bat, destined to repeat birth and death within my walls?
Perhaps she will continue to be sent back, next as something
more repellant, something that spits or secretes, until I cast
my bleeding, lily-livered heart behind an ironclad veil.
Then we will no longer circle one another for the duration
of her afterlives. If I could crush her just this once,
if she could endure just this death, then perhaps whatever debt
she owes the universe is rendered moot, and she is reborn
as a surprise lily in some lovely field that no human,
with all our clumsy ineptitudes and moral misgivings, can reach.
Maybe when I see her tomorrow, her brass bullet of a body
roiling along the step, I will resolve that no living thing
should suffer this way. I will step on her. I will end her life.
And maybe nothing happens. Then she and I will both know
she was never born to become anything but a dead wasp.Swallowtails

More from How Swallowtails Become Dragons and Bianca Spriggs:

 

Accents Radio 10/17/14: Amanda Johnston

Amanda Johnston sits in to talk with Katerina and read some of her own poetry. She’ll also be reading this evening at The Wild Fig with fellow Affrilachian Poets Jeremy Paden and Bianca Spriggs.

Don’t forget to tune in at 2pm on WRFL 88.1FM on the radio, or you can stream it live on the web.

For the reading at The Wild Fig:

When: Friday, October 17, 2014 @ 6:30pm
Where: The Wild Fig
1439 Leestown Road
Lexington, KY 40511
(859) 381-8133

10572085_844844438882706_7016955557013957135_o

Related Links:

“How Swallowtails Become Dragons” by Bianca Spriggs

From How Swallowtails Become Dragons by Bianca Spriggs. The full text is available here.

More from Bianca Spriggs:

 

“How Swallowtails Become Dragons” by Bianca Spriggs

Swallowtails Having opened to their fullest, they opened further
– Carl Phillips, Distortion

Too early, we grow teeth.

Too early, we are not content,
not knowing the longer
we remain one way – steeping –
the more brilliant we become.

And so harvest comes early.

We cannot help that the resin
running through us is so hot
and so sweet it overwhelms,
changing us.

We cannot help the one day
we desire to open another’s flesh –
to know it better – and our own.

Here in a world of blood
(not so far below some hazed,
veined sky we do not remember
the sun), we wish to breathe fire.

Too early, though we do not know it
yet by name, we wish for alchemy:

water to blood
.             blood to gold
.                           gold to flesh
.                                       flesh to wings

.             wings to wind.

Bianca Spriggs,
How Swallowtails Become Dragons
Accents Publishing

More from How Swallowtails Become Dragons and Bianca Spriggs: